Our most ambitious graphic to date, 9 years in the making! This double-sided, folding poster illustrates stories of resistance, resilience, and solidarity from Mexico to Colombia. A map drawn in old colonial style depicts the modern invasion of megaprojects planned for the region… and opens to reveal the view from below, where communities are organizing locally and across borders to defend land and traditions, protect cultural and ecological diversity, and build alternative economies.

web / print

web / print

– English: print

– Spanish: print

– Polish: print


The Mesoamérica Resiste graphics campaign is the third and final image in the Beehive’s trilogy about globalization in the Americas, focusing on resistance to mega-infrastructure projects that are literally paving the way for free trade agreements that devastate local economies and communities.

In 2004 an initial group of Bees traveled from Mexico to Panama over 5 months to meet with people on the frontlines of resistance to a regional development plan then known as Plan Puebla Panama (PPP). The announcement of the PPP in 2001 had sparked powerful cross-border organizing against its industrial scale mega-projects, like super-highways, dams, and power grids. In the following years our ongoing, intensive grassroots research took a variety of forms, from large international gatherings to local round tables, from interviews to informal conversations.

The stories in the graphic come from current struggles, but are also rooted in the legacies of over 500 years of colonialism in the Americas. A banner across the top reads, “Every time history repeats itself, the price goes up” – reminding us that we are in an era of extreme loss of cultural and ecological diversity and rapid climate change. Through the lens of Mesoamerica, the graphic tells the big picture story of what’s at stake across the globe with the neoliberal model of “development,” and what we’ve already lost.

This project reflects our efforts to go beyond illustrating just the bad news, to also sharing stories of collective action and inspiration. The inside of the poster tells stories of grassroots organizing and community resilience. A multitude of characters symbolize strategies and tactics for building and defending autonomy. We’ve depicted over 400 species of insects, plants, and animals that are native to somewhere between Mexico and Colombia, giving a glimpse into the incredible biodiversity of the region.




This poster is printed double-sided and folds to create a square that opens to a larger image inside. With the poster closed, the outside image resembles an old Spanish conquistador’s map. The outside is a top-down look at the region, a map made by outsiders with motives of profit, drawing parallels between colonial history and modern day development plans.

Opening up the poster, the world on the inside is drawn from the perspective of an ant on the ground, at the base of a towering Ceiba tree. This ground’s eye view reflects the experiences of those who are rooted in a place and directly affected by the plans on the map. The lively scenes held in the roots of the tree document many examples of community-led alternatives to top-down development plans, and highlight resistance led by Indigenous peoples. We offer these graphics as a tool for movement building, and to support frontline communities in ongoing education and organizing work.

Learn more about how to Use Our Graphics!


ARPAS, ASTAC, CALDH, CEI, CEIBA, CIEP, CIEPAC, COMPA, COMPPA, COMPITCH, CONAMINH, CONAPAMG, CONPAH, CONIC, COPINH, CORDES-CCR, CRIPDES, FECON, FECOU, FEGER, GEO, HIJOS, IDEX, ILRF, KAIROS, LIFT, OFRANEH, PAT, PROMABOS, UCIZONI, Alianza por la Vida y la Paz, Amigos del Lago Izabal, Casa de Cultura de Guapiles, Centro Ecumenico Antonio de Valdivieso, Colectivo Pablo Presente, Comité Sí a la Vida, CONAVIGUA, CONFRAS, Cooperativa La Técnica, Cooperativa Nuevo Horizonte, Corpwatch, Cortamortaja, Data Center, Encuentro Popular, Equipo Maíz, Escuela Normal de Occidente, Frente Petenero Contra Las Represas, Frente Social de Matagalpa, Grupo de Teatro de San Juan, Grupo de Trabajo Colectivo del Istmo, La Vida en Maquila, Leon por la Paz, Madre Tierra, Mama Maquín, Mesa Global, Mesa Nacional Campesina, MOCAMDERCO, Movimiento de Trabajadores y Campesinos, Museo de la Palabra y de la Imagen, Radio Venceremos, Nicaragua Network, Nuestra Realidad, Prometheus Radio, Radio Neshon, Radio Utan Kaj La Voz del Pueblo, Red COMAL, Red de Organizaciones Civiles de Ometepe, Reserva Acuifera Gualipes, Reunión Nacional Contra las Represas, Rights Action, SOA Watch, Trópico Verde, Thia Artemis, Stephen Buchmann, Adam Bugbuilder, Karen Cangliosi, Debby Kaspari, Harriet DeJong, Gina Ferrada, Torres Filiberto, Charlie Koenen, Benson Collection at UT Austin, Julio Lopez, Frank Marenghi, Paul Molyneaux, Tristan Cordrecu, Nicholas Mrosovsky, Laurence Packer, Jeff Schwilk, Teresa Zepeda, El Pinche Simón, Beth Russett, Jack Longino, Giibwanisi Dizhnikaaz